In working with Studio 120 for the Twin Cities Film Fest this year, we have nothing but praise for their hard work and attention to detail in helping us produce the highest quality DCP files. The team at Studio 120 took our project and worked diligently to make sure that we were happy with the end result. The pricing for DCP conversion at Studio 120 is very competitive and we’ve even recommended some of our filmmakers to them for that reason. We hope to form a long term relationship with Studio 120 as we grow our organization.
Studio 120 Introduces Digital Cinema Packaging
Studio 120 is one of the few companies that have the latest technology, experience and knowledgeable engineers to assist with the generation of digital cinema packaging.
What is a Digital Cinema Package (DCP)?
A: DCP is a collection of digital files (equivalent to a 35mm film print) that store and transfer digital cinema image, audio, and data streams.
These files are converted into a digital format that is compatible for the equipment housed in a commercial theater (also known as “D-Cinema”) projector. Similar to 35mm print, a DCP is a universal standard. Any D-Cinema theater in the world would be able to play your DCP without an issue.
Compatibility – As a result of the development of D-Cinema, 35mm film has virtually disappeared in the last few years. Most theaters do not have any 35mm equipment at all! Essentially all new theaters are digital only, as a result, you’ll need a DCP.
Another advantage of DCPs is they don’t wear out like 35mm. Digital copies are very durable, so you’ll never have a broken, scratched or dirty DCP.
- 2K DCP – $8 per minute (under 20 minutes – $150 flat)
- 4K DCP – $12 per minute (under 20 minutes – $300 flat)
- Download data charge – $75 minimum
- USB flash drive – $75 flat fee
- Hard drive – $75 flat fee
- Delivery charge – $75 minimum
Standard Package Includes:
*Pricing for 2K DCP*
- Frame-rate adjustment
- Color-space adjustment
- Audio sample rate adjustment
- File transfer to drive
- Add Subtitles (if Provided)
**IMPORTANT NOTE** All Images MUST be provided with 100% accurate Color-Space, Gamma, and Code Value Range Information (head vs full). Failure to provide accurate data may result in additional charges and delay agreed upon project completion time(s).
QuickTime® , Apple ProRes 422 (4444, HQ, LT; Proxy)
Panasonic DVCPRO-HD and AVC-Intra
Sony XDCAM® -HD
Additional Service Provided:
Audio level adjustments
Working for a video tape
Video noise removal
Video noise reduction
Film Grain removal
Film scratch removal
Film wow and flutter audio correction
Blu-ray backup data format
Academy/ Oscar certified